Chasing
Hot Copy
We
are sitting here in Queens, New York, not too far from JFK, thinking
about the past few days.
Not so much about the kids, for a change
(although daughter-in-law Christina is on the May 2010 cover of Esquire
Magazine, voted most beautiful woman in the USA by readers).
Right now, our thoughts are immersed in
the 2010 Iceland volcano – a story that may not be over just yet.
We followed that story as it was happening,
every day, until the airports of Europe reopened and beyond. As a result,
Air Cargo News FlyingTypers created eight issues in a row.
We accomplished this with the help of
reporters, readers, associates and friends around the world, all ready
to contribute.
But we also were able to do it because
in our heart we have and always will be daily newspaper reporters.
Sure, the newspapers (in my case, The
New York Herald Tribune) are now long out of business.
But I started running hot copy, back in
the old days of cold type, so however much the format changes, I guess
the ink still runs in my veins.
As it happens, living in the greatest
city in the world also opens the door to some unique experiences.
This week the Film Forum, a theater in
Manhattan that shows old movies, is showing a series of the greatest
films ever made about the once-booming newspapers and the people who
populated the newsrooms, creating the world that we are all a part of
today.
Watching these films can tell you why
we love the work we do.
In case you can’t make it to NYC
to view these movies in person (airing between now and mid-May), here
is the line-up, as well as a few words from reviewers.
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The Tarnished Angels:
"(It) betters the William Faulkner source text in every way, from
the quality of characterization to the development of the dark, searing
imagery. Made in b&w CinemaScope… it should be seen in a theater
or not at all."
-- Dave Kehr
While
The City Sleeps:
"Lang's worldly admiration for the newfangled power of modern communications
in the service of the civic good is matched by his wonder at the human
specimens who make it their playground."
-- Richard Brody, The New Yorker
His Girl Friday:
"A celebration of the spirit of American journalism at its finest.
Captures the romance, the cynicism, the idealism, and just the pure
chaos that is the part, and sometimes the best part, of working for
a newspaper."
-- A.O. Scott, The New York Times
Nothing Sacred:
"Combines the giddy foolishness of screwball comedy with a satire
of just about everything--small-town taciturnity, big-city pretentiousness,
media hype."
-- David Denby, The New Yorker
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The Harder They Fall
Ex-sportswriter Bogart (in his last film) opts for fight-fixing Rod
Steiger’s bucks as he promotes no-talent Mike Lane to the championship
— but Max Baer has other ideas.
Citizen Kane
From its Gothic opening at looming Xanadu, through its conflicting accounts
of a news magnates’ public rise and private fall, to its legendary
final shot, Orson Welles- O-Rama!
Five Star Final
Tabloid editor Edward G. Robinson’s gloating over skyrocketing
circulation turns to glass-shattering horror when mortality ensues over
defrocked clergyman Boris Karloff’s latest exposé.
Ace In The Hole
Billy Wilder: “I can do big news, small news, and if there’s
no news, I’ll go out and bite a dog.”
In Wilder’s most venomous attack on American greed, cold-blooded
reporter Kirk Douglas exploits a doomed man, then wins a Pulitzer.
The Big Clock
Monomaniacal magazine mogul Charles Laughton orders Crimeways editor
Ray Milland to track down a murderer — with all clues pointing
to Milland himself.
And just in case you need
some filler to keep a good thing going for the subway ride home, Film
Forum says it will have copies of Neal Gabler’s expose of Walter
Winchell, ace reporter and gossip columnist who once ruled the newspaper
world in New York, for sale at the popcorn stand.
The Film Forum is celebrating its 40th
anniversary as New York's leading movie house for independent premieres
and repertory programming and has been a nonprofit cinema since 1970.
More: http://www.filmforum.org/
Geoffrey
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